Booker Prize

Review: “In a Strange Room” by Damon Galgut [2010]

The hum of award season is in the air and I think this might be the very first time I’ve actually been interested in reading the shortlisted books while the hype is positively buzzing. In a Strange Room is certainly an interesting book, both plot and prose wise. It is divided into three sections and each can easily be considered short stories if taken out from the book. Each part drops us into the life of the main character, coincidentally named Damon, at different intervals of his life and each time while travelling.

The first part, The Follower, Damon is in Greece where he drawn to a stranger, a German named Reiner. The two cross paths several times and travel around together before they separate, swapping addresses. Back home in South Africa, Damon floats around, crashing on friends couches, moves about and struggles to settle down. He keeps up the correspondence with Reiner for two years when Reiner writes to tell him that he is coming to visit South Africa. Once they are reunited, their relationship and connection has altered. In attempts to cover the cracks, the two decide to go hiking across the country together. Damon feels alone as ever during the hike and Reiner seems determined to push Damon as far as possible to see when he’ll snap.

In the second part, The Lover, Damon is wandering around Zimbabwe a few years later, alone and rootless as ever. He joins a group of tourists who are heading up to Malawi even though he does not like anybody in the group. While on the train, he notices another group of travellers who arouses his interest. As his group journeys further, Damon feels more alone and isolated as ever, feeling unconnected with every place and every person.

If I was with somebody, he thinks, with somebody I loved, then I could love the place and even the grave too, I would be happy to be here. – p. 68

Time and time again, he bumps into the other group he spotted on the train and eventually joins them instead. The group is smaller and he is drawn to the Swiss twins, Alice and Jerome, but particularly Jerome with whom he shares a connection. Some time after their abrupt separation, Damon is travelling in Europe and visits the twins who have invited him to stay. His reunion with Jerome is confusing and charged with the things that are unsaid between them but in the end, this new connection also ends badly.

In the last and most powerful section, The Guardian, Damon is older and a little more settled. He is finding that he stays in places longer, setting up little routines and is not flitting about as much as he did when he was younger. Damon flies to Goa, planning for a six-month sojourn, with his friend Anna who only plans to stay for eight weeks. She is going to Goa in hopes that it will do her some good, having been released from a clinic recently. While in Goa, it is clear that Anna is bi-polar and has to be heavily medicated but even so, her illness takes an incredible hold over Anna. Before leaving, Anna challenges Damon if he could handle her to which he replied he most certainly could.

But already, just a few days into the trip, he understands that they’re playing by a new set of rules. She and he have always been on the same side, but it’s as if she’s changed allegiances somehow, to who or what he doesn’t know, though he comes gradually to understand that the danger to Anna, the force from which she must be protected, is inside her. – p. 131

Anna’s erratic behaviour eventually wears Damon down and in a lapse of watchfulness, Anna attempts suicide a week before she is due to fly back to South Africa.

This is really a remarkable book. The stories may not sound like much but the prose is something else altogether and may take some time getting used to. The narration switches between first and third person particularly during times, I think, when Damon feels the most removed from himself. There is a lot more first person in the last part when he is older and more settled. There are also no talking marks and conversation is integrated inside the prose but everything is done is such a marvelous and skilled way. Everything is parred back, sparse and very restrained but even so, the isolation, loneliness and rootlessness of Damon is very moving as he searches throughout the world for a place to call home. While this is also a book about South Africa, the tragedy of Damon is very difficult to ignore. A very beautiful and sad book.

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Bookshelf Porn

I might regret including the word ‘porn’ in the title of this post but there is really a most lovely site featuring drool-worthy and heart-stopping bibliophile porn. Here’s a peep show:

And there’s more where that came from at Bookshelf Porn.

In other G-rated news:

  • For the first time, I’m itching to read some of the Booker prize long-listed titles especially Room by Emma Donohue and In a Strange Room by Damon Galgut (how odd they both have ‘room’ in the title). I usually stay well clear of listed titles and winners and wait a few years before I read them. I have read The Slap by Christos Tsiolkas though and am glad that an Australian writer is listed.
  • I always love watching The First Tuesday Bookclub and leave it as a special treat when the show is repeated on Sunday evenings. This month’s show was particularly fantastic. One of the selected books, Anna Karenina, got such glowing and enthusiastic reviews from all five book clubbers that I’m inspired to read it after I finish my current books. It’s been lounging by my bedside after an attempt to read it during summer but the many, many Russian names put me off. I encourage you all to view the Book Club videos on their website if you haven’t seen them.
  • One of the book clubbers, author Richard Flanaghan, raised a very interesting point that the current writers in today’s industry write in a prize culture which I think rings very true. Winning an acclaimed prize not only raises the author’s profile significantly but it also boosts the writer’s and publisher’s coffers and reputation. Do we have too many literary prizes? Or not enough? Is it really a bad thing?
  • And Richard Flanaghan has uttered one of the best quotes I’ve heard in a long time, spoken in the context of discussing Anna Karenina:

Infatuation ends at the point when you know somebody.

Booker Prize Shortlist 2009

This year’s Booker Prize shortlist has been announced. The list looks really good and looks much better than previous years. The titles are:

  • The Children’s Book by A.S. Byatt
  • Summertime by J.M. Coetzee
  • Wolf Hall by Hilary Mantel
  • The Glass Room by Simon Mawer
  • The Little Stranger by Sarah Waters

The entire list is now on my TBR list. They all sound fascinating particularly The Children’s Book. Wolf Hall probably has the best cover. However, the list appears to favour more prominent and established authors – or perhaps that a coincidence.